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Pamela Bone: The Left is onside with hate As their response to David Hicks and militant Islam shows, progressives are losing their moral compass -------------------------------------------------------------------------------- The Australian February 01, 2007 WHY is it, asks British journalist Nick Cohen, that apologies for a militant Islam, which stands for everything the liberal Left is against, come from the liberal Left? Why are you as likely to read about the alleged conspiracy of Jews controlling American foreign policy in a literary journal as in a neo-Nazi hate sheet? Why, banner stands after the bomb attacks in the London underground, did left-leaning British newspapers run pieces excusing the suicide bombers, these same young men who were motivated by "a psychopathic theology from the ultra-Right"? Why, in short, have Left and Right changed places? Nick Cohen is not the first to write about the unholy alliance between Western liberals and extreme right Islamic fundamentalists, but he does it in a particular and powerful way in his new book What's Left? How Liberals Lost Their Way. The book is not available yet in Australia (there are extracts of it on The Observer's website), but in Britain it is already one of the most discussed books of the new year. "At the very least it forces, or ought to force, anyone on the Left to think carefully about where their movement has ended up in the modern world," wrote Martin Kettle in The Guardian. Cohen is firmly of the Left.

Pamela Bone: The Left is onside with hate As their response to David Hicks and militant Islam shows, progressives are losing their moral compass -------------------------------------------------------------------------------- The Australian February 01, 2007 WHY is it, asks British journalist Nick Cohen, that apologies for a militant Islam, which stands for everything the liberal Left is against, come from the liberal Left? Why are you as likely to read about the alleged conspiracy of Jews controlling American foreign policy in a literary journal as in a neo-Nazi hate sheet? Why, kabbalah books after the bomb attacks in the London underground, did left-leaning British newspapers run pieces excusing the suicide bombers, these same young men who were motivated by "a psychopathic theology from the ultra-Right"? Why, in short, have Left and Right changed places? Nick Cohen is not the first to write about the unholy alliance between Western liberals and extreme right Islamic fundamentalists, but he does it in a particular and powerful way in his new book What's Left? How Liberals Lost Their Way. The book is not available yet in Australia (there are extracts of it on The Observer's website), but in Britain it is already one of the most discussed books of the new year. "At the very least it forces, or ought to force, anyone on the Left to think carefully about where their movement has ended up in the modern world," wrote Martin Kettle in The Guardian. Cohen is firmly of the Left.

4GW (fourth generation wafare) is the term used by military thinkers to describe conflict at the end of the 20th century. In general, 4GW is an extremely effective method of warfare that the US and its allies will find very difficult to defeat (a slow burn, rather than complete eradication, may be the best possible outcome). I have outlined the basics of 4GW warfare below to enhance your understanding of the term. Definition 4GW can be defined as a method of warfare that uses the following to achieve a moral victory: Undermines enemy strengths (this may seem obvious, but most of modern warfare has involved direct attacks on enemy strengths -- find the enemy army and destroy it). Exploits enemy weaknesses. Uses asymmetric operations (weapons and techniques that differ substantially from opponents). Drivers The rise of 4GW is both a product and a driver of the following: The loss of the nation-state's monopoly on violence. The rise of cultural, ethnic, and religious conflict. Globalization (via technological integration). Tactics 4GW conference call system is fought on the tactical level via: Rear area operations -- 4GW warriors do not confront a nation-state's military but rather it society. Psychological operations -- terror. Ad-hoc innovation -- use of the enemy's strengths against itself. Generations of Warfare The generational development of warfare can be outlined as: First generation -- wars of Napoleon, conscription and firearms (the decline of mercenaries).

4GW (fourth generation wafare) is the term used by military thinkers to describe conflict at the end of the 20th century. In general, 4GW is an extremely effective method of warfare that the US and its allies will find very difficult to defeat (a slow burn, rather than complete eradication, may be the best possible outcome). I have outlined the basics of 4GW warfare below to enhance your understanding of the term. Definition 4GW can be defined as a method of warfare that uses the following to achieve a moral victory: Undermines enemy strengths (this may seem obvious, but most of modern warfare has involved direct attacks on enemy strengths -- find the enemy army and destroy it). Exploits enemy weaknesses. Uses asymmetric operations (weapons and techniques that differ substantially from opponents). Drivers The rise of 4GW is both a product and a driver of the following: The loss of the nation-state's credit report free monopoly on violence. The rise of cultural, ethnic, and religious conflict. Globalization (via technological integration). Tactics 4GW is fought on the tactical level via: Rear area operations -- 4GW warriors do not confront a nation-state's military but rather it society. Psychological operations -- terror. Ad-hoc innovation -- use of the enemy's strengths against itself. Generations of Warfare The generational development of warfare can be outlined as: First generation -- wars of Napoleon, conscription and firearms (the decline of mercenaries).

4GW (fourth generation wafare) is the term used by military thinkers to describe conflict at the end of the 20th century. In general, 4GW is an extremely effective method of warfare that the US and its allies will find very difficult to defeat (a slow burn, rather than complete eradication, may be the best possible outcome). I have outlined the basics of 4GW warfare below to enhance your understanding of the term. Definition 4GW can be defined as a method of warfare that uses the following to achieve a moral victory: Undermines enemy strengths (this may seem obvious, but most of modern warfare has involved direct attacks on enemy strengths -- find the enemy army and destroy it). Exploits enemy weaknesses. Uses asymmetric operations (weapons and techniques that differ substantially from opponents). Drivers The rise of 4GW denon 1910 is both a product and a driver of the following: The loss of the nation-state's monopoly on violence. The rise of cultural, ethnic, and religious conflict. Globalization (via technological integration). Tactics 4GW is fought on the tactical level via: Rear area operations -- 4GW warriors do not confront a nation-state's military but rather it society. Psychological operations -- terror. Ad-hoc innovation -- use of the enemy's strengths against itself. Generations of Warfare The generational development of warfare can be outlined as: First generation -- wars of Napoleon, conscription and firearms (the decline of mercenaries).

Pamela Bone: The Left is onside with hate As their response to David Hicks and militant Islam shows, progressives are losing their moral compass -------------------------------------------------------------------------------- The Australian February 01, 2007 WHY is it, asks British journalist Nick Cohen, that apologies for a militant Islam, which stands for everything the liberal Left is against, come from the liberal Left? Why are you as likely to read about the alleged conspiracy of Jews controlling American foreign policy in a literary journal as in a neo-Nazi hate sheet? Why, after the bomb attacks in the London underground, did left-leaning British newspapers run pieces excusing the suicide bombers, these same young men who were motivated by "a psychopathic theology from the ultra-Right"? Why, in short, have Left and Right changed places? Nick Cohen is not the first to write about the unholy alliance between Western liberals and mesothelioma fact extreme right Islamic fundamentalists, but he does it in a particular and powerful way in his new book What's Left? How Liberals Lost Their Way. The book is not available yet in Australia (there are extracts of it on The Observer's website), but in Britain it is already one of the most discussed books of the new year. "At the very least it forces, or ought to force, anyone on the Left to think carefully about where their movement has ended up in the modern world," wrote Martin Kettle in The Guardian. Cohen is firmly of the Left.

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Pamela Bone: The Left is onside with hate As their response to David Hicks and militant Islam shows, progressives are losing their moral compass -------------------------------------------------------------------------------- The Australian February 01, 2007 spyware scan WHY is it, asks British journalist Nick Cohen, that apologies for a militant Islam, which stands for everything the liberal Left is against, come from the liberal Left? Why are you as likely to read about the alleged conspiracy of Jews controlling American foreign policy in a literary journal as in a neo-Nazi hate sheet? Why, after the bomb attacks in the London underground, did left-leaning British newspapers run pieces excusing the suicide bombers, these same young men who were motivated by "a psychopathic theology from the ultra-Right"? Why, in short, have Left and Right changed places? Nick Cohen is not the first to write about the unholy alliance between Western liberals and extreme right Islamic fundamentalists, but he does it in a particular and powerful way in his new book What's Left? How Liberals Lost Their Way. The book is not available yet in Australia (there are extracts of it on The Observer's website), but in Britain it is already one of the most discussed books of the new year. "At the very least it forces, or ought to force, anyone on the Left to think carefully about where their movement has ended up in the modern world," wrote Martin Kettle in The Guardian. Cohen is firmly of the Left.

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Salman Ali/The South End Chardonnay Jones, left, performing at the 13th Annual American Composers debt credit card Concert. Brishen Miller Assistant Features Editor The powerful voice of George Shirley echoed through the Schaver Music Recital Hall yesterday. One of America’s most versatile tenors, Shirley headlined the 13th Annual African American Composer’s Concert. The acoustics of the intimate recital hall made Shirley’s voice sound even fuller for the packed house. Acoustics aside, the opera singer did not need a microphone in the small venue. The annual free concert, held every Martin Luther King Jr. Day, has become a tradition for many Detroiters. The music of the day was composed solely by black composers and performed by WSU students and professionals alike. Though the audience was impressed with Shirley’s commanding yet soothing voice, by no means did it overshadow the student acts to come. The theme for the songs of the day was personal expression. Each act showed some insight into the performer’s persona. Joseph “Pops” Radcliffe III spoke about a song he preformed called “Minstrel Song” by Margaret Bonds with the words from a Langston Hughes poem of the same name. “I think Langston Hughes wrote that poem just for me, I relate to it so much,” Radcliffe said. “And I feel so many people in the world relate so much to it … in a lot of us there’s war, pain, hurt, hate, but we smile and fake it.

Salman Ali/The South End Chardonnay Jones, left, performing freeware compare files at the 13th Annual American Composers Concert. Brishen Miller Assistant Features Editor The powerful voice of George Shirley echoed through the Schaver Music Recital Hall yesterday. One of America’s most versatile tenors, Shirley headlined the 13th Annual African American Composer’s Concert. The acoustics of the intimate recital hall made Shirley’s voice sound even fuller for the packed house. Acoustics aside, the opera singer did not need a microphone in the small venue. The annual free concert, held every Martin Luther King Jr. Day, has become a tradition for many Detroiters. The music of the day was composed solely by black composers and performed by WSU students and professionals alike. Though the audience was impressed with Shirley’s commanding yet soothing voice, by no means did it overshadow the student acts to come. The theme for the songs of the day was personal expression. Each act showed some insight into the performer’s persona. Joseph “Pops” Radcliffe III spoke about a song he preformed called “Minstrel Song” by Margaret Bonds with the words from a Langston Hughes poem of the same name. “I think Langston Hughes wrote that poem just for me, I relate to it so much,” Radcliffe said. “And I feel so many people in the world relate so much to it … in a lot of us there’s war, pain, hurt, hate, but we smile and fake it.